Francesco Fuoco
fuocofrancesco@icloud.com · @fuocovirtuale
Italy, Cosenza

Bio

I was born in Cosenza, Italy, on August 13, 2003.

My mother tongue is Italian, but I also speak and understand English at a professional level. I have always been drawn to the world of visual communication, and over the years I have developed a strong interest in the countless possibilities offered by publishing and print — their smells, their tactility, and their material presence.

I am able to adopt a multidisciplinary approach, blending the work and skills of different people. Every day, I seek new ways to communicate messages and knowledge by combining the digital and analog worlds through printing techniques and other experimental processes.

Education

Sep2017 – Jun2022 \\ Cosenza
Polo Tecnico Brutium
High School Diploma in Marketing & Informatic System
Oct2022 – Mar2026 \\ Rome
NABA (Nuova Accademia di Belle Arti)
Bachelor’s in Graphic Design & Art Direction – 110L

Honors & Awards

Jun2024 \\ Salerno
SPOT SCHOOL AWARDS
2ND (Digital Section) for Laboratorio Adolescenza
with the project SHOW YOUR WORST

Panels, Talks & Workshop

Nov2022 \\ Rome
World Creations: Cinema, Game, VFX and design
Workshop led by PROMETEO-LAB
Nov2023 \\ Rome
With different eyes – Fanzines production
Workshop led by Chiara Capodici (Leporello’s founder)
Nov2024 \\ Rome
Install New Media & expanded artistic practices
Workshop led by Liminal State

Experience

Dec2024 – Jan2025 \\ Roma
Gianluca Abbate (Artist & Motion Designer)
Field Learning Experience in Motion Design
Mar2025 – Jul2025 \\ Roma
Numero Cromatico (Artists collective)
Internship as Graphic Designer & Production Assistance
Mar2025 – Apr2026 \\ Roma
Liminal State (Multimedia duo artists)
Freelance as Editorial, Visual Designer

Pratiche, linguaggi ed estetiche del movimento ultras cosentino, 2026

Editorial

Pratiche, linguaggi ed estetiche del movimento ultras cosentino is a thesis project that investigates the cultural relevance and potential enhancement of Cosenza’s ultras movement through the analysis of its history, visual language, and a series of interviews with different representatives of the ultras scene.

The research culminates in the creation of the archive “IN GINOCCHIO MAI” and the scarf “Eternamente Cosenza”, conceived as a tool to preserve and communicate this collective identity. The entire project is typeset in LL Bradford (Lineto). The book features a curated selection of photographs, newspaper scans, ultras’ memorabilia, and other archival materials.

Supervised by: Dionigi Mattia Gagliardi (Numero Cromatico), Licia Masi (Numero Cromatico) and Chiara Federica Capodici (Leporello)

Pratiche, linguaggi ed estetiche del movimento ultras cosentino – copertina
Libro aperto, doppia pagina fotografica
Libro aperto, pagina di testo e articolo di giornale
Libro aperto, doppia pagina con la curva

Eternamente Cosenza, 2026

Scarf

The scarf “Eternamente Cosenza” represents the quintessential symbolic artifact of organized fandom.

It is conceived not as a mere merchandising item, but as a design synthesis of the historical analysis, communicative languages, and graphic solutions that have characterized the Cosenza ultras movement. By converging history, languages, signs, and symbols, it transforms this object into a true narrative work.

Supervised by: Dionigi Mattia Gagliardi (Numero Cromatico), Licia Masi (Numero Cromatico) and Chiara Federica Capodici (Leporello)

Eternamente Cosenza – sciarpa, dettaglio nella rete
Eternamente Cosenza – sciarpa appesa alla porta
Eternamente Cosenza – sciarpa indossata

IN GINOCCHIO MAI, 2026

Editorial Archive

The archive takes the form of an editorial publication that collects and organizes the visual and material elements of the Cosenza ultras movement into five categories: photography, scarf, sticker, ticket, and document.

The artifacts, produced at different historical moments, engage in a dialogue through graphics, typography, colors, and symbols, creating a layered reading made of affinities and contrasts.

Supervised by: Dionigi Mattia Gagliardi (Numero Cromatico), Licia Masi (Numero Cromatico) and Chiara Federica Capodici (Leporello)

IN GINOCCHIO MAI – copertina nella rete
IN GINOCCHIO MAI – adesivo all’interno del libro
IN GINOCCHIO MAI – quarta di copertina
IN GINOCCHIO MAI – pagina illustrata con adesivo

VIVA IL CINEMA!, 2025

Proposal poster communication

Viva il cinema! is an initiative of free film screenings promoted throughout the territory of Rome Capital. The brief called for a visual communication campaign to promote the event and widen its reach to a broad audience.

The visual identity is built on four hand-painted watercolor matrices depicting iconic elements of cinematic language: the camera, popcorn, film reels, and the clapperboard. After high-resolution scanning, the artworks were arranged on a dedicated layout grid, and the poster was completed with a logo and a color palette that evokes sociality, a summer atmosphere, and the architecture of the screening venue.

Agency: NABA
Client: Città metropolitana di Roma Capitale

VIVA IL CINEMA! – poster 1
VIVA IL CINEMA! – poster 2
VIVA IL CINEMA! – poster 3
VIVA IL CINEMA! – poster 4
VIVA IL CINEMA! – poster 5
VIVA IL CINEMA! – poster 6

THING*, 2025

Artist’s Book

THING* denounces the disappearance of things, now turned into bridges to fictitious realities. Information and data have taken their place, becoming the new objects of contemporary society.

The book merges the thoughts and theories of Pier Paolo Pasolini and Byung-Chul Han into one large unified theoretical flow.

Supervised by: Dionigi Mattia Gagliardi (Numero Cromatico) and Licia Masi (Numero Cromatico)
Creative Team: Roberta Rocchi

THING* – cover
THING* – artist’s book bound with wire
THING* – artist’s book bound with wire, second view
THING* – inside pages, blurred type
THING* – inside pages, open spread
fuocofrancesco@icloud.com
@fuocovirtuale
Italy, Cosenza

that’s all folks!